The film centers on a man who has superpowers only one day a year.

A young girl and an old man are the only ones in a village who believe the old stories about dragons, and then a dragon arrives.

在(zài )贝(🤙)鲁特(tè )一个街角的(🏝)咖(🔼)(kā )啡店二楼，有(😐)(yǒu )一(yī )面大(dà )大的(🖱)转角(jiǎo )窗和一(💐)(yī(💼) )台电视机，一(yī(🍂) )位(🆙)78岁的退伍将(jiāng )军(📌)(jun1 )和(🦇)一(yī )位81岁的退(🏭)(tuì )伍军医每天早上(🐌)都(🥍)会(huì )在这里(🎌)碰(👇)面，看(kàn )着街(jiē(🌤) )角(⛽)车来人(rén )往，做着(🆘)填(🧜)字游戏，以此对(🚥)抗阿茨海(hǎi )默综合(🍍)症(🌲)。伴(bàn )随两位老(🐬)人的玩笑和(hé )字(🐳)谜，咖(kā )啡馆的(de )顾(🎂)客(🚩)纷纷登场(chǎng )。本(🏓)片用发生在一个(gè(🆙) )社(🧒)会小角(jiǎo )落16天(🤞)之(zhī )内的一系列事(🌵)(shì )件，四两拨千(🏨)(qiā(🎫)n )斤(jīn )地讨(tǎo )论(🤬)了(🔂)人生(shēng )、政治(zhì(⭕) )、(💕)历史等话题(tí(👔) )；通过单场景(jǐng )多(🕍)(duō(🐅) )幕剧(jù )的结构(🐵)让(ràng )人感受到老(🏭)人们的孤(gū )独，以(⬛)及(🎰)疾病(bìng )带(dài )来(➕)的(de )苦涩，同(tóng )时映射(🏒)出(🍹)黎巴嫩暴力(lì(🚏) )事件肆虐的现状(zhuàng )。以小见大，令人(🌆)回(🤨)味。

在贝鲁特(tè(🕖) )一个街角(jiǎo )的咖啡(⚪)(fē(📺)i )店二楼，有一(yī(🍃) )面大大的转角窗和(🚼)一(yī )台电视机(🚥)(jī(😄) )，一位(wèi )78岁的退(🏌)伍(🎠)将军(jun1 )和一位81岁的(🔶)退(🚵)(tuì )伍(wǔ )军医(yī(🤫) )每天早上(shàng )都会在(⏩)(zà(🌦)i )这里碰面，看(kà(🈳)n )着街角车来人(ré(💐)n )往(wǎng )，做(zuò )着填字(✒)游(🏟)(yóu )戏，以此对抗(🌦)阿茨海(hǎi )默综合症(👪)。伴(🍟)(bàn )随(suí )两位(wè(🤒)i )老人的玩(wán )笑和字谜，咖啡馆的(de )顾(📌)客(🧤)纷纷登场。本片(🦍)用发生在(zài )一个社(🛬)会(💃)小角落16天之(zhī(🔦) )内的一系(xì )列事件(⏪)(jiàn )，四两拨千斤(💜)(jī(🔱)n )地讨论了人生(⏭)、(🕊)政治(zhì )、历史等(🖇)(dě(🚥)ng )话题；通过单(🥈)场景多(duō )幕剧的结(💾)构(👗)让(ràng )人感受(shò(🕺)u )到老人们(men )的孤独(🦀)(dú )，以及疾病带(dà(👑)i )来(💛)的苦涩，同(tóng )时(🎊)(shí )映射(shè )出黎巴嫩(📄)(nè(🎥)n )暴力事件肆虐(🐂)的现状(zhuàng )。以小见大，令(lìng )人回(huí )味(💔)。

With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family

多(🥠)摩(mó )湖のほと(🧣)りで男性の遺体が(🐎)発(🍲)見された。遺体(✉)の身(shēn )元は、株式(🔣)会社橋本(běn )商(🐐)事(🚷)の社長である(🖕)橋(🐔)本圭一（山上賢(🎋)治(🔆)）と判明。死因(✒)は頭(tóu )がい骨(gǔ )の(🚙)骨(🙈)折による失血(🗡)死で、後頭部を(✅)鈍器のようなも(🍫)の(🕊)で殴打されて(🐇)いた。身元(yuán )確(què )認(🍍)に(🥥)来た社員(yuán )の(🏧)伊藤（浅香航大）によると、橋(👊)(qiá(🌖)o )本(běn )は最(zuì )後(🔥)の電話(huà )で、兵庫(⛱)の(🦕)「丹波篠(xiǎo )山(🔠)」にいると言(yán )っ(📚)ていたという(💼)。遺(♌)体が発見され(🥪)た(🌼)東京の多摩湖(hú(⏭) )か(🐒)らは距離があ(🈵)ることから、別の(🔨)場(⛲)所で殺(shā )害さ(🖇)れた後に遺棄さ(🚷)れた可能性がで(♿)て(💹)きた…。

The Focusing Effect is a faux-documentary/horror film about three film students who make a doc about breakups, only to push one of their subjects too far.

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.