一(🛒)位被(bèi )誉(🐿)为“神龙大(🐄)(dà )仙”的(de )少年龙(lóng )九郎(láng )，自上次他求雨成功后镇上的民众深(shēn )信他拥(yōng )有法力(lì )，把他(tā )视为神(shén )灵。眼(🌈)(yǎn )看旱季(🌤)又到，龙九(🚢)郎却心神(📩)不宁， 原来(🤟)他(tā )根本(🍩)不(bú )会什(🤖)么(me )法术，上(😿)次求(qiú )雨(🎊)成功完全(😴)就是靠运(🧥)气。他决定(🕙)连夜逃跑(😓)(pǎo )，却被(bè(😒)i )村民发(fā(🖇) )现狂(💱)追(zhuī(🕙) )。在悬(🎨)(xuán )崖(⛲)边(biā(🎤)n )，龙九(🕸)郎被(🤔)村民(📍)包围，突然(🈚)一道黑影(🚳)(yǐng )出现在(zài )他面前(qián )，是一(yī )个三十(shí )多岁(suì )的(de )男人，还未做出反应男子抓住了龙(lóng )九郎的(de )胳(🎳)膊，只见两(🔆)(liǎng )道 黑影(⛩)(yǐng )从人群(🧢)(qún )中极速(🕓)闪过，两人(🙍)消失的无(🕜)影无踪。

Gaetano decided that he would bury his deceased brother with his family at all costs, even if it meant defying the laws of his Sicilian village and putting himself and his family in danger.

An estranged family take a trip to the desert in their used RV but become stranded and isolated in the scorching terrain. They soon learn their RV holds terrible, haunting secrets, and it starts killing them off one by one.@艾(🐿)米(mǐ )电影(💠)网(wǎng )

故事(❣)发(fā )生在(🦓)2045年(nián )，虚拟(😞)(nǐ )现实技(🏌)术已经渗(👒)透到了人(👚)类生活的(🥓)每一(😞)个(gè(🐪) )角落(📡)。詹姆(🎣)斯(sī(🚄) )哈利(🌨)迪(dí )（马(🥗)克(kè )·里(🗑)(lǐ )朗(lǎng )斯 Mark Rylance 饰）一手建造了名为“绿洲”的(de )虚拟现(xiàn )实游戏(xì )世界，临终前(qián )，他(tā )宣(xuān )布自己在游戏中设置(⬇)了一个彩(🤳)蛋，找到这(🐟)(zhè )枚彩蛋(🍩)(dàn )的人即(🦈)(jí )可成为(🚪)(wéi )绿洲的(🥂)(de )继承人。要(👮)找到这枚(📖)彩蛋，必须(🎳)先获得三(⛴)(sān )把钥匙(🦏)(shí )，而寻(xú(🎃)n )找钥匙(shí(😫) )的线索(suǒ(👵) )就隐藏(cá(🃏)ng )在詹(🙎)姆斯(😏)的过(😳)往之(📝)中。

Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world –(😶) Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.

Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.