巴勒斯坦電視台攝(🎂)(shè )製(zhì )臥(wò )底肥皂劇，連以色列婦孺都(dōu )晚晚追看。編劇因情節背(bèi )離(lí )革(gé )命而辭職，監(🔏)製的多口(kǒu )侄(zhí )仔(zǎi )助理受命執筆，頻頻借女(nǚ )角(jiǎo )之口，向電視機前的舊愛(ài )示(shì )好(hǎo )，以色列檢查站軍官則(zé )企(qǐ(🐄) )圖(tú )恃權影響劇情發展，以(yǐ )便(biàn )在(zài )追看的嬌妻面前自吹自擂(lèi )。助理即使槍抵腦殼，都(😀)不(bú )肯(kěn )接(jiē )受軍官要求的大團圓結(jié )局(jú )。抗爭，必須繼續！影展新秀(xiù )蘇亞比巧妙調侃(🤛)以巴關係(xì )，他(tā )的喜劇座右銘是：要能(néng )大(dà )笑(xiào )，必須面對苦痛，並與之(zhī )周(zhōu )旋。獲威尼斯地平線單元(yuán )最(zuì )佳(jiā(👁) )男主角獎。

The story of life of a woman Mehri who unintentionally enters into an unknown problem and is searching for a solution for that.

主人公李解(jiě )拿(ná )自(zì )己的传家龙坠向女友小(xiǎo )朵(duǒ )求(qiú )婚，却被倒卖古玩的(🔓)安森(sēn )盯(dīng )上。几次偷抢未果后，安(ān )森(sēn )绑(bǎng )架李解女友，并威胁李(lǐ )解(jiě )要(yào )交出龙坠(🛏)，李解智斗坏人抱(bào )得美人归。

Set in the early 80s, K. G. F. - the first chapter centers the protagonist who leads a battle against oppressors in ysgou.cc Kolar Gold Fields.

拉敏，一个在(zài )墨(mò )西(xī )哥的伊朗移民，背负着(zhe )他(tā )的(de )过去：字面上，以韦尔斯(sī )的(de )形式。在(🗳)Luci_rnagas，一个Skype对话显示他(tā )已(yǐ )经把他的男朋友留在土(tǔ )耳(ěr )其(qí )了。

《驴为媒》故事发(fā )生(shēng )在(zà(➗)i )当下鲁西大地上的聊城市(shì )，讲述的是在京打拼多年的(de )有(yǒu )志(zhì )青年，得知老家惠民政(zhè(😶)ng )策(cè )后(hòu )，回乡养驴、带领村民脱贫(pín )致富，实现自己创业梦，并(bìng )赢(yíng )得爱情的故事;讲述了党(dǎng )的(de )精(jīng )准扶贫政策和(🍓)乡村振兴战(zhàn )略(luè )在齐鲁大地的生动实践，展(zhǎn )现(xiàn )了基层党员干部在全面(miàn )建(jiàn )成(ché(🎳)ng )小康社会进程中的“主(zhǔ )心(xīn )骨(gǔ )”形象。电影《驴为媒》坚(jiān )持“小成本、大情怀、正(zhèng )能(néng )量(🐌)(liàng )”的创作宗旨，紧扣当(dāng )前(qián )乡(xiāng )村振兴和精准扶贫主题，将(jiāng )社会效益、价值引领放在(zài )首(shǒu )位(wèi )，引导人们努力实(🧗)现个(gè )人(rén )前(qián )途与国家命运、个体经历(lì )与(yǔ )时代大潮、个体情感与国家(jiā )情感的(✔)同频共振，激励人(rén )们(men )向(xiàng )上向善，自觉践行社会(huì )主(zhǔ )义(yì )核心价值观，讴歌党、讴(ōu )歌(😧)(gē )人民、讴歌新时代。

该片(piàn )改(gǎi )编(biān )自脱北女性的真实故事(shì )，讲(jiǎng )述的是抛开家人，逃往韩国(guó )的母亲与憎恨自己(📧)的儿子(zǐ )在(zài )16年后重逢的故事。

一对情(qíng )侣(lǚ )外(wài )出度假，入住豪宅，然而(ér )，当他们半夜醒(⛅)来，却发现自(zì )己躺在一个处处充斥着恐(kǒng )怖(bù )氛(fēn )围的荒弃诡宅中……他(tā )们(men )意(yì )欲(👐)逃离，然而却始终逃不(bú )出(chū )去，努力奔逃，但逃往的(de )地(dì )点(diǎn )却还是这所诡异的荒宅(zhái )……更恐怖的是，当他们再度回(🚞)(huí )到这座诡宅，却发现，时(shí )间(jiān )跟他们走出去的时间，一(yī )样(yàng )……

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.