藝術家自(🔑)古(gǔ )皆寂寞(🧦)或許(xǔ )是境(💪)界，人(rén )到中(🔼)年萬事憂則(🛺)是現實(shí )。在(zài )畫室洋(yáng )洋(🔼)灑(sǎ )灑呈現(⬆)自由(yóu )雄風(😽)的裸男(nán )畫(⤵)作令他(✌)一(yī )舉成名(🎼)，在家面對前(👇)妻(qī )懷着(zhe )新(🐭)歡骨(gǔ )肉、(🔁)與女兒相處(⤵)(chù )尷尬卻令(😋)他(tā )一籌莫(🍆)展。貝蒙特的寂(🗯)寞，在於如(rú(🐢) )何在(zài )著名(🐺)畫(huà )家與(yǔ(🌊) )單親爸(🐦)爸雙(shuāng )重身(🏡)份、藝(yì )術(📮)創作與家庭(⏭)生活之間取(📦)得(dé )平衡。維(😽)羅(luó )（《電影(🌨)就(jiù )在街角(🈳)》，35 屆）找來合(hé )作多年的編(✡)劇兼美指好(😷)(hǎo )友對(duì )號(🆓)入座(zuò(🗃) )，還(há(🎑)i )原藝術(🤛)家有(yǒu )血有(👓)肉的矛(máo )盾(🛀)本性，在(zài )出(🥦)世與入世的(🎡)兩難外，毋忘(🚎)(wàng )點點超(chā(❤)o )現實(shí )的幽(👝)默。

“我的一生中(⛹)(zhōng )只害怕一(🐉)件事，就是有(⏲)一天，黑色(sè(🔍) )会吞(tū(🔈)n )没红色(sè )。”

1926年(🚾)，在面临(lín )个(🍶)人生活破(pò(💛) )碎和写作瓶(💨)颈危机的情(🧛)况下(xià )，年轻(🤐)(qīng )的阿(ā )加(🔃)莎.克里斯(sī )蒂决定自己(jǐ(📡) )去解决一个(💋)(gè )真实生活(🔥)中的谋(🔹)杀案(🅱)。

A man and a woman lay side by side in bed. Who are they and how do they know each other? There is no one clear answer and that’s what makes this story interesting.

An estranged family take a trip to the desert in their used RV but become stranded and isolated in the scorching terrain. They soon learn their RV holds terrible, haunting secrets, and it starts killing them off one by one.@艾(à(🥏)i )米电影(yǐng )网(😑)

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.